I had been
looking down the whole time I was walking - my gaze hypnotically upon the
sidewalk - these segmented pads of concrete so evenly spaced they created a
rhythm in my mind as they passed beneath me.
Step down,
road, road, road, road – curb, and back up to the rhythm. I had been walking long past my own
neighborhood, right through lunch and now into dusk; yet, I had not looked
up. I was walking now and that is who I
was, I was walking guy. Like some extra
in a movie, Guy walking past.
That was me. Watch for me in the
credits.
Step down,
road, road, road, road – curb, and back up to the rhythm. There were different sounds to this
neighborhood, I didn’t recognize them as typical neighborhood noises;
lawnmowers, teenagers washing the family car, music coming from someone’s
window, no these sounds were noticeably muffled, different and somewhat
quieter. Still, it was dusk and general
activities would be less than those of afternoon. I would be able to distinguish city noises,
should I end up walking that far but not having had my lunch I am sure my
thoughts of dinner would soon hold some influence over the direction of my
shoes.
Step down,
road, road, road, road – curb and step up.
Maybe I might forgo the evening meal and walk right through dinner. Surely, I’m not about to whither away. I just remembered a line from an old
movie. I’m not sure why that popped into
my thoughts. The line is, “I could
always live in my art but never in my life.”
I’m not sure why thoughts of dinner would spring an old movie line into
my head. Every now and then a writer
will hit upon a line that is a true gem and they know exactly when it
happens. They read it repeatedly,
bouncing it against the character tasked with speaking the line, making sure it
is going to flow and not be trampled by the laughter or applause of the
pervious dialog.
It is an
exciting moment causing the writer to re-read the entire previous scene,
taking thoughts quickly away from the drudgery of syntax and plunging them
into the mental challenge of getting back on track - heading towards the thread
that leads to the final scene.
Often times
that gem of a line quickly evolves into an obstacle. Momentum is lost and the thoughts of the
writer begin to stray, “What critics will be in the audience?” “Will I be killed in the reviews?” and once
these thoughts take over it is best to just walk away. Shut it down for the night, step down, road,
road, road – THUD.
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