The
following article was written by Zelda Fitzgerald, in 1928. I added it to my blog because I thought you’d
enjoy it.
The Changing Beauty of Park Avenue
Beginning in the pool of glass that covers the Grand
Central tracks, Park Avenue flows quietly and smoothly up Manhattan .
Windows and prim greenery and tall graceful, white facades rise up from
either side of the asphalt stream, while in the center floats, impermanently, a
thin series of watercolor squares of grass – suggesting the Queen’s Croquet
Ground in Alice
in Wonderland.
It is a street for satisfied eyes. A
street of unity where one may walk and brood
without being distracted by one’s own curiosity. Through the arches and open gates one sees
paved courtyards big enough to convey a cloistered, feudal feeling. It is the guarantee made by realty barons
that people under their protection will always have enough air. For Park Avenue has the essence of a pen-and-ink
drawing of Paris . In the morning, when it is hot noon and lunch
hour on Fifth Avenue it is still nine o’clock on Park. Even the crisp translucent New York twilight, hovering high above the
city, seems here to drift along in order to conceal the missing afternoon.
There has never been a faded orchid on Park
Avenue . And yet this is a
masculine avenue. An avenue that has
learned its attraction from men – subdued and subtle and solid and
sophisticated in its understanding that avenues and squares should be a fitting
and sympathetic background for the promenades of men.
In the bright gusty mornings, Park
Avenue is animated with sets of children, slim and fashionable,
each set identically dressed and chaperoned by white and starched English
nurses or blue-flowing French nurses or black and white maids. They clutch in gloved hands the things that
children carry only in illustrations and in the Bois de Boulogne and in Park Avenue : hoops
and Russian dolls and tiny Pomeranians.
There is a lightness about these mornings. Nobody has ever asked a geographical question
on Park Avenue . It is not “the way” to anywhere. It exists, apparently, solely because
millionaires have decided that life on a grand scale in a small space is only
possible with as tranquil and orderly a background as this long, blond,
immaculate route presents. It is a
fitting resting place for the fine and glittering automobiles that browse the
curbstones under the patronage of gilded concierges. Even the traffic here is aloof and debonair
with an inch more freedom than it enjoys in other streets, and seems to progress
by a series of hundred-yard dashes.
Taxi-chauffeurs wave gaily as they rush by with empty cabs – the result
of too much morning air and too much reading of the Social Register; and
newsboys roller-skate under the smartest motors.
High in the air float green-blue copper roofs, like the
tips of castles rising from the clouds in fairy tales and cigarette
advertisements, fragile points and crags and sturdy shelves suspended on a
fortress. There is even the drawbridge
in the Grand Central runway, so that sweeping off into the Avenue one
experiences the emotion of entering a stronghold – the stronghold of easy
wealth.
Little shops, like sections of a glass-fronted doll’s
house, nestle in the corners along the lower avenue – shops of the boudoir sort,
where one may buy an apple with as much ritual as if it were the Ottoman Empire , or a limousine as carelessly as if it
were a postage stamp. These crystalline
shops, lying shallow against buildings, exist on sufferance so long as they are
decorative.
It is a street for strutting. It is a street for luncheon in impeccable
French restaurants. It is a street to
use when in a hurry, and it is a street for dawdling down. It is a street to have friends on at
teatime. I suppose a street could be
other things… but in the immortal words of Ring Lardner, “What of it?”
Late at night, dignity departs not from the reproachless
lane. It even lends a majesty to the
great revolving broom that polishes away imaginary dirt between the hours of
three and five – invests the functioning of the Street Cleaning Department with
the isolated and pink-lit smallness of a Whistler London night. Occasionally a flying police car or sometimes
a fire engine tears past, lost in the black and misty light before the sound is
out of your ears – mysterious night riders hastening to a destiny other than
their own, disturbing the peace of a street too alert ever to give a sense of
repose.
At one time we have known in a single apartment house, a
moving-picture star, an heiress, a famous amateur athlete, a publisher, an
author, and a friend. It was very
convenient and we were sorry when cornice trouble or a delinquent summer or bankruptcy
caused them to scatter along the street.
Such is the flaming street – widened now until it has become the most
colossal thoroughfare in flaming Manhattan . It is known the world over. And yet we heard a well-groomed and
cosmopolitan-looking young lady say one day, “Oh yes, that’s the street next to
Madison , isn’t
it?” And she lived in New York .
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